I'm Evangeline, a Baltimore-based illustrator who brings stories to life through bold, evocative artwork that doesn't shy away from the shadows. My work has graced the pages of The New York Times, The Guardian, The New Republic, Wall Street Journal, and Scientific American, among others. I've also created covers for Penguin Random House and worked with clients ranging from ProPublica to Pearl Jam.
What I Do
My specialty lies in editorial illustration that captures the complex, often unsettling truths of our world. Whether it's visualizing political turmoil, exploring social issues, or diving into the darker corners of human experience, I create images that make readers stop and think. My style blends surreal elements with stark realism, often incorporating horror aesthetics and cosmic imagery that speaks to both the beautiful and terrifying aspects of existence.
I work across multiple mediums and formats - from magazine covers and book illustrations to digital editorial pieces and custom artwork. My portfolio spans everything from hard-hitting investigative journalism visuals to literary fiction covers, always maintaining that distinctive edge that makes my work immediately recognizable.
My Process
Every project begins with deep listening. I need to understand not just what you're trying to say, but the emotional undertone you want to convey. Are we exploring fear? Social anxiety? Political unrest? The uncanny feeling of modern life? I dig into the nuances because that's where the most powerful imagery lives.
Once I grasp the concept, I move quickly - I possess the speed and enthusiasm of 10,000 illustrators, after all. I typically provide multiple rough concepts that explore different visual approaches to your story. My sketches are detailed enough to give you a clear vision of the final piece while leaving room for refinement.
The refinement stage is collaborative. I want your input on everything from color palette to compositional elements. My goal is to create something that not only serves your editorial needs but also stands as a compelling piece of art in its own right. I'm not interested in creating throwaway visuals - every piece should have staying power.
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